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The Boston Globe


Stage Review

A daughter’s tribute in ‘The Pianist of Willesden Lane’

There’s a formal, slightly reserved dignity to Mona Golabek’s demeanor through much of “The Pianist of Willesden Lane.’’ Attired in a simple black dress, she speaks earnestly and carefully. Her movements are equally deliberate, precise, and controlled.

And yet we do not feel emotionally distanced from her or from “The Pianist of Willesden Lane,’’ now at ArtsEmerson. Quite the opposite.

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