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The Boston Globe


Music Review

A pianist’s journey through a composer’s shadows

I will be surprised if 2013 brings a musical event more audacious, more edifying, and more fulfilling than British pianist Paul Lewis’s recital on Saturday.

Lewis, who is in the prime of his career, was making his long-overdue Boston debut. Happily, he eschewed the strategy of offering an assortment of pieces chosen to show off his range. He chose instead to make a bold statement about his artistry by playing Schubert’s last three piano sonatas. Like Beethoven’s late sonatas, Schubert’s both sit at the heart of the piano repertoire and exist in their own rarefied world, one not easily infiltrated. Tackling all three on the same program is highly unusual, but Lewis acquitted himself brilliantly.

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