Glamour, adultery, and sex never get old. Neither do love triangles, the sturdiest of all plot devices. That helps to explain why the passionate heroine of Leo Tolstoy’s novel “Anna Karenina” — published in Russia 134 years ago — has seduced so many film directors, composers, choreographers, dancers, actors, even fashion designers. Willful and wealthy, vivacious and aristocratic, Anna combines sex appeal with maternal devotion, against an exotically snowy backdrop of doomed czarist opulence.
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