You can now read 10 articles in a month for free on BostonGlobe.com. Read as much as you want anywhere and anytime for just 99¢.

The Boston Globe

Movies

Movie stars

Birthday Canyon in Greenland is pictured during the filming of “Chasing Ice,” a documentary about disappearing glaciers.

James Balog/Extreme Ice Survey via AP

Birthday Canyon in Greenland is pictured during the filming of “Chasing Ice,” a documentary about disappearing glaciers.

New releases

½ Anna Karenina Joe Wright’s adaptation of the Tolstoy classic staggers under the weight of a dazzling, hermetically sealed visual style that fails to connect with our emotions; the entire movie seems to take place in a snow globe. The cast, led by Keira Knightley, is good, although Aaron Taylor-Johnson’s Vronsky may be too much the boy-toy. With Jude Law. (130 min., R) (Ty Burr)

Brooklyn Castle The chess team at Intermediate School 318, a public junior high school in Brooklyn, dominates national competitions the way UCLA used to dominate college basketball. The story is a great documentary subject, told well by director Katie Dellamaggiore. The kids and their teachers who populate it are even greater. (102 min., unrated) (Mark Feeney)

Continue reading below

Chasing Ice A calmly furious documentary about the disappearance of the great northern glaciers and the photographer, James Balog, who captures this silent apocalypse in time-lapse images that balance between beauty and horror. Director Jeff Orlowski gives us more about Balog than we need to know; it’s the work that matters. (76 min., PG-13) (Ty Burr)

Setting up a shot in a scene from the documentary “Gregory Crewdson: Brief Encounters.”

Cosi Theodoli-Braschi/Zeitgeist Films

Setting up a shot in a scene from the documentary “Gregory Crewdson: Brief Encounters.”

Gregory Crewdson: Brief Encounters Ben Shapiro’s documentary chronicles Crewdson’s stellar career, focusing on a series of photographs called “Beneath the Roses,” which includes many images shot in Western Massachusetts. Crewdson has become known for his haunting photographs of uncanny twilight scenes in dilapidated suburban settings. This film gives terrific insights into his working processes, and his relationships with the communities he shoots in. (77 min., unrated) (Sebastian Smee)

½ Silver Linings Playbook Bradley Cooper finally gets a role that gives his oily charm some vulnerability. He plays a mental patient living in Philadelphia with his parents, hung up on his estranged wife and spending time with an equally unstable woman (Jennifer Lawrence). The movie whizzes and stings. Its director is David O. Russell, who’s become Hollywood’s most instinctive maker of ensemble dramatic comedies. With a never-haler Robert De Niro as Cooper’s gambler dad. (122 min., R) (Wesley Morris)

½ Tales of the Night The new film from French animation visionary Michel Ocelot (“Azur & Asmar”) is a collection of original fairy tales with backgrounds that glow like illuminated manuscripts and characters done in the style of Indonesian shadow puppets. For adventurous kids and graphic arts grad students. In dubbed and subtitled versions; check the MFA website. (84 min., unrated) (Ty Burr)

The Twilight Saga: Breaking Dawn — Part 2 Boy, there’s a lot of standing around in this movie. In this series there’s always a lot of standing and waiting and sitting and hoping — for Edward the vampire (Robert Pattinson) to kiss human Bella (Kristen Stewart), for him to make transformative love to her. But this fifth and mercifully final installment features so much idle anticipation that it’s unclear whether we’re watching a movie or an Apple product launch. (116 min., PG-13) (Wesley Morris)

Kristin Stewart and Robert Pattinson in “The Twilight Saga: Breaking Dawn — Part 2.”

Andrew Cooper/Summit Entertainment

Kristin Stewart and Robert Pattinson in “The Twilight Saga: Breaking Dawn — Part 2.”

Previously released

½ Cloud Atlas A dazzling cinematic folly from writer-directors Andy and Lana Wachowski (“The Matrix”) and Tom Tykwer (“Run Lola Run”) that tries to explain human interconnectedness through six narrative strands spread over centuries. It’s profound on the surface — and absurdly watchable — but banal beneath. Tom Hanks, Halle Berry, and others play multiple characters in sometimes convincing make-up. (172 min., R) (Ty Burr)

Flight A so-so movie with Denzel Washington as a commercial-airline pilot in hot water after he crash-lands a plane while drunk, high, hungover, and horny. The movie doesn’t do much that you couldn’t anticipate just by seeing the trailer. But you know what’s still worth $15 plus the cost of a baby sitter, popcorn, and parking? Two hours with Washington at the height of his everything. Directed by Robert Zemeckis. (138 min., R) (Wesley Morris)

½ Hotel Transylvania In a 3-D animated creature feature, Adam Sandler voices Dracula as a fretful father sheltering his daughter (Selena Gomez) from humans. He builds his monster resort as an elaborate means to that end, but complications ensue when they’re visited by a backpacker (Andy Samberg). Some might say there isn’t enough that’s fresh, even if every generation of trick-or-treaters deserves its monster mash. Still, there’s likable energy throughout, and smart touches add up. (90 min., PG) (Tom Russo)

½ A Late Quartet A smartly cast, discreetly contrived melodrama about classical musicians, with retiring cellist Christopher Walken upsetting the delicate balance of his string quartet. Philip Seymour Hoffman, Catherine Keener, and Mark Ivanir are the other players; the music’s sublime but the situations feel pat.
Fans of the actors (and of Beethoven) should check it
out, though. (105 min., R) (Ty Burr)

½ Lincoln In the weeks following his reelection, Abraham Lincoln (a remarkable Daniel Day-Lewis) fights to get the 13th Amendment abolishing slavery passed. A terrifically entertaining film that, against all odds, makes politics exciting again. Steven Spielberg is in top form, Tony Kushner’s script is full of crackling talk (and lots of it), and there are scene-stealing turns from Tommy Lee Jones, Sally Field, and James Spader. (149 min., PG-13) (Ty Burr)

Looper Rian Johnson’s audacious time travel brain-twister features Joseph Gordon-Levitt as a hired assassin killing victims from the future and Bruce Willis as the assassin’s older self. Overloaded with cinematic style, “Matrix”-wannabe cool, and action sequences that click into place like a Rubik’s Cube, the movie’s something to see yet ultimately less than the sum of its parts. With Emily Blunt. (118 min., R) (Ty Burr)

½ The Man With the Iron Fists Wu-Tang Clan majordomo RZA has gathered his friends — co-writer Eli Roth, presenter Quentin Tarantino, costars Russell Crowe and Lucy Liu — and directed a martial arts movie. A pretty terrible martial arts movie. Still, it’s more goofily entertaining than it has a right to be. With Rick Yune and Jamie Chung. (96 min., R) (Ty Burr)

The Other Son It’s almost too obvious and too inevitable to be real. A nice French-reared, Jewish family in Tel Aviv and a less-well-off Arab quintet discover that their sons were delivered to the wrong clan. Making this drama must have been like discovering the website URL you swore was taken is actually free. The movie, written and directed by Lorraine Lévy, is shameless and simple yet solemnly optimistic at the same time. In French, Arabic, and Hebrew, with subtitles. (108 min., PG-13) (Wesley Morris)

Paranormal Activity 4 It takes almost no effort or ingenuity to keep this franchise going. Same conceit, new home. These are the movies of our times: housing angst, recording devices everywhere, quiet suburban disorder. This time a little weirdo spends time with the family across the street and lots of digital cameras record what happens. The air is suspenseful calm. The ending is virtually plagiarized. (88 min., R) (Wesley Morris)

½ The Perks of Being a Wallflower Author Stephen Chbosky adapts and directs his young adult cult novel into a moving, if visually drab, portrait of unhappy teens finding sustenance in each other. It’s frank enough to shock the parents but also genuinely and uniquely kind to all its characters. With Logan Lerman, Ezra Miller, and Emma Watson making a credible move beyond Hogwarts. (103 min., PG-13) (Ty Burr)

½ Pitch Perfect Anna Kendrick stars in this college singing-group comedy in which the throwaway lines are so many and so expertly deployed that you basically spend the whole movie digging through the trash. But the scenes of crassness, broadness, and projectile vomit point to the exasperating possibility that moviemakers have learned the wrong lesson from “Bridesmaids.” With Brittany Snow and Rebel Wilson. (88 min., PG-13) (Wesley Morris)

½ Searching for Sugar Man An astonishing rock documentary that seems pure urban legend. Sixto Rodriguez, a folk singer from Detroit, recorded two early-’70s albums that went nowhere in the US and made him a mysterious superstar in South Africa. Malik Bendjelloul’s film follows the efforts of two fans to find out whether he’s still alive. Magical. (86 min., PG-13) (Ty Burr)

½ The Sessions It sounds like a bad joke: A man in an iron lung hires a sex surrogate to help him lose his virginity. But the achievement of this simple, intensely moving drama (based on a true story) is the clarity with which it portrays a good soul in an inert body. John Hawkes and Helen Hunt give rich, unshowy performances as the leads; William H. Macy plays the hero’s priest. (95 min., R) (Ty Burr)

Skyfall The James Bond movie franchise turns 50 this year and continues with Daniel Craig in the title role. But to hear everybody in this tedious new movie debate whether, after 23 movies, James is now too long in the tooth for glamorous spycraft, you would think the star of this movie is Methuselah. With Judi Dench, Ralph Fiennes, and, as the hilariously blond villain, Javier Bardem. (145 min., PG-13) (Wesley Morris)

Taken 2 This is the sort of sequel that seems to make perfect sense to the people who made it but none to us. The Albanian relatives of the men killed in the first movie by the former CIA operative Bryan Mills (Liam Neeson) seek revenge. The first movie was the divorced dad’s revenge fantasy done up as action-movie brutality. This one is action-movie camp. (97 min., PG-13) (Wesley Morris)

½ Trouble With the Curve A congenial but distressingly formulaic drama about an aging baseball scout (Clint Eastwood) and his last season on the road. Eastwood lets his longtime producer Robert Lorenz take a crack at directing, which is nice. So’s the movie, but that doesn’t mean it’s very good. With Amy Adams and Justin Timberlake. (111 min., PG-13) (Ty Burr)

Wreck-It Ralph A video arcade villain (voiced by John C. Reilly) has an existential crisis and busts out into other games in an attempt to become a hero. Bright, fast, reasonably funny, and depressingly formulaic, it’s more fodder to keep your kids tethered to their home entertainment centers. Cranky old critic says: Send them out to play instead. (93 min., PG) (Ty Burr)

Find an archive of reviews at www.boston.com/movies.

You have reached the limit of 10 free articles in a month

Stay informed with unlimited access to Boston’s trusted news source.

  • High-quality journalism from the region’s largest newsroom
  • Convenient access across all of your devices
  • Today’s Headlines daily newsletter
  • Subscriber-only access to exclusive offers, events, contests, eBooks, and more
  • Less than 25¢ a week