Read as much as you want on BostonGlobe.com, anywhere and anytime, for just 99¢.

Movie Stars

Movie Stars

From left: Ryan Gosling, Josh Brolin, Michael Pena, Robert Patrick, and Anthony Mackie in “Gangster Squad.”

Wilson Webb/Warner Bros. Pictures

From left: Ryan Gosling, Josh Brolin, Michael Pena, Robert Patrick, and Anthony Mackie in “Gangster Squad.”

Previously released

Amour A simple yet devastatingly profound story of an elderly French couple (Jean-Louis Trintignant and Emmanuelle Riva) during the long, squalid months of the wife’s decline. Writer-director Michael Haneke (“Caché”) observes his subject with an unadorned style that takes on aspects of the holy. The movie avoids melodrama; instead, it’s just extraordinarily intimate. In French, with subtitles. (127 min., PG-13) (Ty Burr)

Barbara An exiled East Berlin physician (Nina Hoss) has just arrived in a provincial hamlet on the Baltic Sea, where she quietly plots her escape to West Berlin while seeing patients and avoiding the advances of a brawny doctor (Ronald Zehrfeld), who’s been conscripted by the Stasi to pass along intelligence on her. The movie’s quiet power comes from its air of meticulously maintained suspicion. In German, with subtitles. (105 min., PG-13) (Wesley Morris)

Continue reading below

Broken City A cluttered, formulaic urban thriller, with Mark Wahlberg miscast as a conflicted tough-guy detective caught in an election week conspiracy. The best thing here — i.e., the most enjoyably bad — is Russell Crowe as a greasy, macho New York City mayor. He’s Michael Bloomberg’s evil twin. With Catherine Zeta-Jones and Jeffrey Wright. (109 min., R) (Ty Burr)

½ Django Unchained In Quentin Tarantino’s clear-eyed and completely out of its mind exploitation western, Jamie Foxx plays a freed slave in 1853 on the way to rescue his wife (Kerry Washington) from a Mississippi plantation. Tarantino has never been more himself than he is here: grisly kitsch rigged for shock in a way that refuses to cheapen the atrocity of its subject. With Christoph Waltz, Leonardo DiCaprio, and an audacious Samuel L. Jackson. (165 min., R) (Wesley Morris)

Gangster Squad Josh Brolin and Ryan Gosling head a secret crew of cops intent on bringing down crime boss Mickey Cohen (Sean Penn). This is almost like every popular movie about crooks and cops made in the last four decades, but it’s never enough like its own movie. Director Ruben Fleischer gives it some flash and bang, but it inadequately substitutes for what you could be watching instead. (113 min., R ) (Wesley Morris)

½ The Hobbit: An Unexpected Journey Title notwithstanding, almost exactly as expected. More Middle-earth — the first third of Tolkien’s prequel story to “The Lord of the Rings” — Peter Jackson’s film has lots of sound and fury and not enough narrative momentum. Ian McKellan’s Gandalf and (joy) Andy Serkis’s Gollum return. The 48 fps digital version in theaters looks like high-end video. With Martin Freeman. In 3-D. (169 min., PG-13) (Ty Burr)

The Impossible A grueling, well-crafted true-life drama that takes one of the worst natural disasters in history — the 2004 Indian Ocean tsunami — and reduces it to a really bad day at Club Med. Naomi Watts and Ewan McGregor are excellent as vacationing Europeans in Thailand, as is Tom Holland as their eldest son. (114 min., PG-13) (Ty Burr)

Jack Reacher The former supersoldier of Lee Child’s novels is now Tom Cruise, and his mission in this maiden outing involves clearing the name of a man accused of killing five people. The deaths are terrible, but the stakes are so low. Cruise works hard, as usual. But he’s so desperate to save us from atrocity and mediocrity that he’s forgotten to save himself. (131 min., PG-13) (Wesley Morris)

The Last Stand Arnold Schwarzenegger’s wrinkles actually serve him well in playing a veteran lawman working a border enclave. Things get dicey when slithery Peter Stormare hits town with bridge-building gear, and an escaped Mexican cartel boss comes rocketing south. Director Kim Jee-woon seems to take an approach that’s less “let’s see what sticks” than “who cares what sticks,” with results that can be funny but also oddly arrhythmic. (107 min., R) (Tom Russo)

½ Les Misérables What’s great about the first half of Tom Hooper’s gigantic film of the musical is the balance it strikes between the misérable and the miz. After 2½ hours, the movie becomes a bowl of trail mix — you’re picking out the nuts you don’t like and hoping the next bite doesn’t contain any craisins. With Hugh Jackman and Anne Hathaway, who are wonderful, and Russell Crowe, who’s not and it breaks your heart (and hurts your ears). (157 min., PG-13) (Wesley Morris)

Life of Pi Ang Lee’s adaptation of Yann Martel’s best-selling novel is a marvel of contradictions: a movie about the magnificence of nature that’s largely computer-made, a two-character epic, a 3-D extravaganza that takes place inside a 20-foot lifeboat. The movie shouldn’t work at all, but it does. Keep kids under 10 at home, though. With Suraj Sharma and Irrfan Khan. (127 min., PG) (Ty Burr)

½ Lincoln In the weeks following his reelection, Abraham Lincoln (a remarkable Daniel Day-Lewis) fights to get the 13th Amendment abolishing slavery passed. A terrifically entertaining film that, against all odds, makes politics exciting again. Steven Spielberg is in top form, Tony Kushner’s script is full of crackling talk (and lots of it), and there are scene-stealing turns from Tommy Lee Jones, Sally Field, and James Spader. (149 min., PG-13) (Ty Burr)

Mama Director Andy Muschietti’s supernatural thriller wonders what if abandoned kids were watched over by an angry ghost. Jessica Chastain does nuanced work as the rock chick put in charge of young sisters found after missing in the mountains for five years. The frustration, though, is how much the movie leans on made-ya-jump scares and contrived plot devices when its quieter chills are so potent. (106 min., PG-13) (Tom Russo)

½ Promised Land Two movies in one: An earnest anti-fracking drama written by costars Matt Damon and John Krasinski, and a nuanced portrait of small-town America by director Gus Van Sant. The first tries not to be preachy but doesn’t quite succeed, the second is buoyed by the sympathetic performances. With Frances McDormand and Rosemarie DeWitt. (110 min., R) (Ty Burr)

Rust and Bone From Jacques Audiard (“A Prophet”), a twisted yet surprisingly ordinary love story about a kickboxing single dad (Matthias Schoenaerts) and a killer whale trainer (Marion Cotillard) whose legs get bitten off. Cotillard’s fearsome intensity and the glowing Antibes vibe make it worth seeing. In French, with subtitles. (120 min., R) (Ty Burr)

½ 2012 Sundance Shorts If collections of film shorts are like party mixes, this program has a few too many questionable wasabi peas. The two longest shorts — “Fishing Without Nets,” about Somali pirates, and “The Return,” a heart wrencher from Kosovo — are the best; the rest are interesting without being particularly engaging. (95 min., unrated) (Ty Burr)

½ Texas Chainsaw 3D For $16 you can watch a movie care only that it got your money. For about $3, you can rent the 1974 original that spawned it. (95 min., R) (Wesley Morris)

½ Silver Linings Playbook Bradley Cooper finally gets a role that gives his oily charm some vulnerability. He plays a mental patient living in Philadelphia with his parents, hung up on his estranged wife and spending time with an equally unstable woman (Jennifer Lawrence). The movie whizzes and stings. Its director is David O. Russell, who’s become Hollywood’s most instinctive maker of ensemble dramatic comedies. With a never-haler Robert De Niro as Cooper’s gambler dad. (122 min., R) (Wesley Morris)

Skyfall The James Bond movie franchise turns 50 and continues with Daniel Craig in the title role. But to hear everybody in this tedious new movie debate whether, after 23 movies, James is now too long in the tooth for glamorous spycraft, you would think the star of this movie is Methuselah. With Judi Dench, Ralph Fiennes, and, as the hilariously blond villain, Javier Bardem. (145 min., PG-13) (Wesley Morris)

Zero Dark Thirty Kathryn Bigelow's brilliantly crafted ground-level procedural unfolds over a nine-year-period, from the early days of the war in Afghanistan to the midnight assault on Osama bin Laden’s compound. Jessica Chastain plays a CIA agent obsessed with the search; the early torture scenes make viewers confront their own response. (157 min., R) (Ty Burr)

An archive of reviews is at www.boston.com/movies.
Loading comments...

You have reached the limit of 5 free articles in a month

Stay informed with unlimited access to Boston’s trusted news source.

  • High-quality journalism from the region’s largest newsroom
  • Convenient access across all of your devices
  • Today’s Headlines daily newsletter
  • Subscriber-only access to exclusive offers, events, contests, eBooks, and more
  • Less than 25¢ a week