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For Errol Morris, cameras never stop rolling

Filmmaker already has grand legacy, but he is focused on future

CAMBRIDGE — “I think I am a late bloomer,” says Errol Morris. “I think I’m getting less in my own way.”

The 65-year-old filmmaker is sitting in his East Cambridge offices, a cleanly designed floor-length warren of cubicles, editing bays, bookshelves, and objets d’art. His personal office is shaded against the afternoon sun, a cool oasis of eccentricity. A stuffed baby penguin stands on a side table and a horse’s head protrudes from the wall. On his desk, in a glass case, is a monkey’s head — a Hanukkah present from his wife. The office, like the mind of the man who presides over it, is a cabinet of curiosities.

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