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The Boston Globe



‘The Visitor’ makes welcome return

When a film begins with Franco Nero as a blue-eyed Jesus telling a story to a bunch of bald children in white robes, it suggests two things: first, the director has an eye for startling imagery; and second, he’s as loony as Ed Wood.

Nearly 35 years after Michael J. Paradise’s film descended on the world, arousing a wave of incredulity, awe, laughter, and indifference, it returns to the Brattle Theatre — fully restored and with additional, even more inexplicable footage — to wow cult fans, connoisseurs of the absurd, and cinephiles intrigued by the evolution of the sci-fi and horror genres in the ’70s and ’80s.

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