Movie Review

Pixar’s ‘The Good Dinosaur’ lives in a Disney world

An apatosaurus named Arlo and his human companion, Spot, in “The Good Dinosaur.”


Pixar has never released an outright mediocre feature—until now.

Tom Hardy stars as the Kray twins, Ronnie (far left) and Reggie, in “Legend.”

Movie Review

Seeing double Tom Hardy makes ‘Legend’ worthwhile

Tom Hardy is the main reason — make that the main two reasons — to see this entertaining but unfocused and overlong gangster epic.

Sylvester Stallone returns as Rocky Balboa and Michael B. Jordan plays Adonis Johnson, Apollo Creed’s illegitimate son, in “Creed.”

Movie review

‘Rocky’ franchise gets new life with ‘Creed’

Michael B. Jordan brings emotional breadth to his legacy-freighted character, making Adonis a convincing jumble of youthful drive.

Daniel Radcliffe (left) and James McAvoy in “Victor Frankenstein.”

Movie Review

‘Victor Frankenstein’ experiments, but with ghastly consequences

“You know this story,” Igor says at the beginning of “Victor Frankenstein,” and, boy, do we ever.

From left: Joseph Gordon-Levitt, Seth Rogen, and Anthony Mackie in “The Night Before.”

Movie review

‘A Christmas Carol’ meets ‘The Hangover’ in ‘The Night Before’

The holiday season, otherwise known as Hollywood’s make-or-break year-end box office finale, begins with this raunchy comedy.

// Middling opening weekend for last ‘Hunger Games’ film

‘‘Mockingjay — Part 2’’ earned $101 million in its first weekend in theaters, a new low for the four-film franchise.

Brian Helgeland.

New Bedford director resurrects legendary London gangsters

US filmmaker Brian Helgeland continues a cultural reversal with his crafting of the very British “Legend.”

Macaulay Culkin and Joe Pesci (right) in “Home Alone,” which screens Dec. 9 and Dec. 23.


Holiday screenings bring traditional and offbeat fare

The holiday season offers a bonanza for movie lovers, with traditional and oddball fare ranging from “The Nutcracker” to “Poultrygeist: Night of the Chicken Dead.”

Looking back at ‘Dont Look Back’

D.A. Pennebaker made “Dont Look Back,” about Bob Dylan’s 1965 tour of England, a film that both Sight & Sound and Rolling Stone proclaim as the number one rock documentary of all time.

Bryan Cranston and Diane Lane in “Trumbo.”

Hilary Bronwyn Gayle/Bleecker Street Media

Movie Review

Bryan Cranston puts the swagger in ‘Trumbo’

Cranston plays Dalton Trumbo, who was as big a legend in the film industry as he was in his own mind.

Doc Talk | Peter keough

//Šangase._MOANA.jpg Ric Burns’s new documentary “The Pilgrims,” plus eclectic gifts

Ric Burns’s new documentary “The Pilgrims” offers an account of the sect’s history.

Movie Review

// Peggy Guggenheim: giving her heart to art

The documentary “Peggy Guggenheim: Art Addict” looks at the famous heiress and art patron.

Movie Review

// With strong cast, this ‘Secret’ is absorbing but slack

“Secret in Their Eyes” is a provocative thriller follows FBI investigators (Chiwetel Ejiofor and Julia Roberts) and the torturous impact of a teenager savagely murdered.

Movie Review

// ‘Creeping Garden’ breaks the mold

The subject is slime mold, which lends musty magic to this documentary featuring fascinating photography, creepy music, and unsettling animation.

Movie Review

// Africa at its most alluring

“Wild Africa, an IMAX documentary, casts the continent’s storms and droughts, and their effects on flora and fauna, as an epic heroic struggle.

Jennifer Lawrence in “Mockingjay — Part 2.”

Movie REview

‘Hunger Games’ series comes to violent end

“The Hunger Games: Mockingjay — Part 2” brings the story to a brutal but satisfying conclusion.

Special section

// The story behind the ‘Spotlight’ movie

A look at The Boston Globe’s coverage of sexual abuse in the Catholic Church and the movie “Spotlight,” which is based on the stories and the reporters behind the investigation.

Four stars go to...

//[1].jpg Four-star reviews by the Globe

Films given four-star reviews by Globe critics Ty Burr, Janice Page, and Peter Keough and the former Globe critic Wesley Morris.

Documentary coverage