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The Boston Globe


third ear

Sounds of a city: A new template for collaboration in Toronto

If you’re an established composer, and a major Canadian symphony comes calling to offer you a commission, in most cases the answer would be simple: yes.

Things then might typically follow along a standard path: You write the piece, the orchestra rehearses it and then performs the premiere. Your contact with the listeners might be limited to your program note, or maybe a pre-concert talk. You bow to the polite applause and try to feel grateful that the orchestra thought of you.

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