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The Boston Globe

Music

MUSIC REVIEW

A delicately constructed cello concerto debuts at BSO

Opening the score of Augusta Read Thomas’s Cello Concerto No. 3, which received its premiere Thursday night, one encounters something telling about this composer’s approach before reading a single note. At the bottom of the list of percussion required for this ambitious 30-minute work, Thomas writes that extra care should be given to make sure “each of the [five] triangles has a slightly different ‘pitch and color’ from one another, so that each of them has a unique contribution to the overall sonic palette and so they blend elegantly with the crotales, glockenspiel, and finger cymbals.”

This attention to minute detail is a hallmark of Thomas’s music and reflects the delicacy of imagination with which she constructs her sound worlds. That this new work, a BSO commission, also contains a vivid theatricality of gesture, a certain lightness of being, makes it particularly successful.

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