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The Boston Globe


Album review | Pop

Janelle Monáe, ‘The Electric Lady’

Janelle Monáe’s feet barely touched the ground on her last album, 2010’s “The ArchAndroid.” She was in her own galaxy, a weird, wonderful pop cosmos where James Brown, David Bowie, Betty Davis, and Michael Jackson were all touchstones for Monáe’s shape-shifting music.

That album, bolstered by her blistering live shows, was a showstopper (not to mention a steamroller), and it made Monáe a force who couldn’t be bothered by the confines of genre. In a tuxedo and pompadour, she danced on the fringes of R&B, funk, soul, pop, and chamber music.

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