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The Boston Globe

Theater & art

art review

Feher’s works hum with a sense of child’s play

LINCOLN — Slight yet bewitching, Tony Feher’s artworks — they barely support the word “sculptures” — made from jars, colored liquids, coat hangers, and sundry sweet nothings, seduce you with a kind of overweening modesty. Their aesthetic is flamboyantly offhand, fastidiously “whatever.”

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