Columnist
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Columnist
Carlo Rotella is director of American Studies and professor of English at Boston College. He is the author of Cut Time, Good With Their Hands, and October Cities. He writes for the New York Times Magazine and the Washington Post Magazine, he is a regular columnist for the Boston Globe and a commentator for WGBH FM, and his work has also appeared in The New Yorker, The American Scholar, Harper’s, DoubleTake, Boston, Slate, The Believer, and The Best American Essays. He has held Guggenheim, Howard, and Du Bois fellowships and received the Whiting Writers Award, the L. L. Winship/PEN New England Award, The American Scholar’s prizes for Best Essay and Best Work by a Younger Writer, and two U.S. Speaker and Specialist Grants from the State Department to lecture in China and Bosnia.
CARLO ROTELLA
The stagings of two true epics, “The Iliad” and “Beowulf,” don’t provide earthshakingly fresh takes, but a “Moby-Dick” production gives the classic a new life.
CARLO ROTELLA
The central question for writers and critics resembles the one investigators are now asking: “Are we writing an immigrant tragedy or a narrative of international terrorism?”
CARLO ROTELLA
The ways in which people interact with their devices open up all sorts of opportunities for fresh uses of language to capture the effect on their experiences and inner lives.
CARLO ROTELLA
The 24/7 regime of screens and headphones changes how we think and interact in ways that we’re just barely beginning to perceive, let alone understand.