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The Boston Globe



When technology became a musical instrument

Susan Schmidt Horning uncovers the importance of the studio sound

In 1968, when she was 16 years old, Susan Schmidt Horning found herself in a recording studio to lay down tracks with her all-female garage-rock band, the Poor Girls. It was in Cleveland, the studio was industrial and a little imposing, and Horning was transfixed.

“I remember being taken by the fact that this engineer guy who was very strait-laced—pocket protector, tie, white shirt—could just hear things and had this artistic sensibility,” says Horning.

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