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Colleen McCullough, 77; wrote ‘The Thorn Birds’

Colleen McCullough in 1977, the year “The Thorn Birds” was published.Associated Press

NEW YORK — Colleen McCullough, a former neurophysiological researcher at Yale who, deciding to write novels in her spare time, produced “The Thorn Birds,” a multigenerational Australian romance that became an international bestseller and inspired a hugely popular television miniseries, died Thursday on Norfolk Island in the South Pacific, where she had made her home for more than 30 years. She was 77.

The cause was believed to have been kidney failure, her agent, Michael V. Carlisle, said.

Published in 1977, “The Thorn Birds” is set against the sweeping panorama of the author’s native land and was described often in the media as an Australian “Gone With the Wind.” Spanning much of the 20th century, it centers on Meggie, the beautiful wife of a loutish rancher, and her illicit affair with Father Ralph, a Roman Catholic priest.

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“The Thorn Birds,” which has never been out of print, has sold more than 30 million copies worldwide and been translated into more than 20 languages. In hardcover, it spent more than a year on the New York Times bestseller list; the paperback rights were sold at auction for $1.9 million, a record at the time.

The book was the basis of a 10-hour television production starring Richard Chamberlain as Father Ralph and Rachel Ward as Meggie. First broadcast in 1983 on ABC, “The Thorn Birds,” which also starred Christopher Plummer, Barbara Stanwyck, and Jean Simmons, is among the most-watched miniseries of all time.

“The Thorn Birds” was only the second novel by Ms. McCullough, who, forsaking her scientific career, would write more than 20, though none sold nearly as well. Her most recent, “Bittersweet,” about the lives and loves of four sisters in Depression-era Australia, appeared last year.

Ms. McCullough’s fiction was prized by readers for its propulsive plots, sympathetic characters, and sheer escapist potential. Its critical reception was mixed; reviewers took the author to task for sins ranging from stilted dialogue to the profligate use of exclamation points.

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Negative reviews did not appear to faze Ms. McCullough, whom The Philadelphia Inquirer, in a 1996 profile, described as “a woman supremely unafflicted by self-doubt.”

“I think in their heart of hearts all these people know that I’m more secure than they are, more confident than they are, and smarter than they are,” she said of her critics in a 2007 interview on Australian television. In her nearly four decades in the limelight, it was one of her few printable replies on the subject.

Nearly everything about Ms. McCullough had unrestrained heft: her voice, her laugh, her frame, her opinions, the blizzard of cigarettes she smoked each day and, most conspicuously, her books. “The Thorn Birds” clocked in at 533 pages. Titles in her “Masters of Rome” series, a seven-volume cycle set in the ancient world, could run far longer: The inaugural entry, “The First Man in Rome” (1990), spanned 896 pages, some 100 of them devoted to a glossary.

Her profusion was matched by her speed. On a typical day, Ms. McCullough said, she might produce 15,000 words; on a very good day, 30,000. She continued to use an electric typewriter well into the computer age.

“I spell perfectly,” she told The Inquirer in the 1996 article. “My grammar’s very good. My sentence construction is excellent. So I don’t have a lot of mistakes.”

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Australia named her to its list of 100 living national treasures in 1997.

“I gather I was one of the top 13,” Ms. McCullough told The Press of Christchurch, New Zealand, in 2000. (The list was published in alphabetical order; McCullough is No. 59.) “In Australia I’m an icon, and it’s an interesting thing to be.”

But as Ms. McCullough made clear between the lines of interviews, and more overtly in “Life Without the Boring Bits,” her volume of memoiristic essays published in 2011, what passed for ample self-assurance was in fact the product of ample sorrow.

Colleen Margaretta McCullough was born in Wellington, in the Australian state of New South Wales. Hers was a brutish family: Her father was an itinerant sugar cane cutter of savage temperament, her mother a cold, withholding woman. The couple fought; after her father’s death in the 1970s, Ms. McCullough said, he was discovered to have had “at least two” other wives simultaneously.

In this maelstrom, Colleen and her younger brother, Carl, both bright, sensitive, and bookish, grew up.

“I’ve said it before and I’ll say it again,” Ms. McCullough’s memoir quotes her father’s telling her. “Get out and get a job as a mangle hand in a laundry. That’s all you’re good for — you’ll never get a husband, you’re too big and fat and ugly.”

Carl fared no better at his father’s hands. In 1965, at 25, he drowned in the sea off Crete. His death was considered an accident, but a letter he wrote to Ms. McCullough, which arrived afterward, made her suspect he had committed suicide. Even half a century later, she could talk about his death only with extreme difficulty.

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Ms. McCullough leaves her husband, Ric Robinson; two stepchildren, Wayde Robinson and Melinda MacIntyre; and two step-grandchildren.

Over the years, Ms. McCullough was often asked what she thought of the “Thorn Birds” miniseries, watched by more than 100 million people.

Her response packed her usual pith and punch.

“I hated it,” she told People magazine in 2000. “It was instant vomit.”