Charles Grodin, the versatile actor familiar from “Same Time, Next Year” on Broadway, such popular movies as “The Heartbreak Kid,” “Midnight Run,” and “Beethoven,” and numerous television appearances, died on Tuesday at his home in Wilton, Conn. He was 86.
His son, Nicholas, said the cause was bone marrow cancer.
With a great sense of deadpan comedy and the kind of Everyman good looks that lend themselves to playing businessmen or curmudgeonly fathers, Mr. Grodin found plenty of work as a supporting player and the occasional lead. He also had his own talk show for a time in the 1990s and was a frequent guest on the talk shows of others, making 36 appearances on “The Tonight Show Starring Johnny Carson” and more than 40 on David Letterman’s NBC and CBS shows combined.
Mr. Grodin was a writer as well, with a number of plays and books to his credit. Though he never won a prestige acting award, he did win a writing Emmy for a 1977 Paul Simon television special, sharing it with Simon and six others.
Mr. Grodin, who dropped out of the University of Miami to pursue acting, had managed to land a smattering of stage and television roles when, in 1962, he received his first big break, landing a part in a Broadway comedy called “Tchin-Tchin,” which starred Anthony Quinn and Margaret Leighton.
“Walter Kerr called me impeccable,” Mr. Grodin wrote years later, recalling a review of the show that appeared in The New York Times. “It took a trip to the dictionary to understand he meant more than clean.”
Another Broadway appearance came in 1964 in “Absence of a Cello.” Mr. Grodin’s next two Broadway credits were as a director, of “Lovers and Other Strangers” in 1968 and “Thieves” in 1974. Then, in 1975, came a breakthrough Broadway role opposite Ellen Burstyn in Bernard Slade’s “Same Time, Next Year,” a durable two-hander about a man and woman, each married to someone else, who meet once a year in the same inn room.
“The play needs actors of grace, depth and accomplishment, and has found them in Ellen Burstyn and Charles Grodin,” Clive Barnes wrote in a rave in the Times. “Miss Burstyn is so real, so lovely and so womanly that a man wants to hug her, and you hardly notice the exquisite finesse of her acting. It is underplaying of sheer virtuosity. Mr. Grodin is every bit her equal — a monument to male insecurity, gorgeously inept, and the kind of masculine dunderhead that every decent man aspires to be.”
The show ran for three and a half years, with an ever-changing cast; the two original stars left after seven months. Mr. Grodin by that point was in demand in Hollywood.
Mr. Grodin had already appeared in Mike Nichols’s “Catch-22” in 1970 and had turned in one of his better-known film performances in the 1972 comic romance “The Heartbreak Kid,” in which he played a self-absorbed sporting goods salesman who marries in haste, immediately loses interest in his bride (Jeannie Berlin), and falls in love with another woman (Cybill Shepherd) on his honeymoon.
In 1978 he had a supporting role in the Warren Beatty vehicle “Heaven Can Wait.” Another signature role was in the action comedy “Midnight Run” in 1988, in which Mr. Grodin played an accountant who has embezzled a fortune from the mob and is being accompanied across country by a bounty hunter, played by Robert De Niro.
They’re being chased by police, another bounty hunter, and the mob, and because Mr. Grodin is afraid of flying, they are forced to go by car, bus, even boxcar.
Mr. Grodin and De Niro improvised in many scenes in the film, revered as among the greatest buddy comedies. Often Mr. Grodin was genuinely trying to amuse his more intimidating co-star. One line he threw at De Niro: “You ever had sex with an animal, Jack?”
Though Mr. Grodin acted opposite stars like De Niro and Beatty, what may have been his best-known role found him working with a dog. The film was “Beethoven,” a family-friendly hit in 1992, and the dog was a St. Bernard. Mr. Grodin played a cranky father who did not exactly warm to the new household pet. In one memorable scene, he crawls into bed with what he thinks is his wife and is enjoying having the back of his neck licked until he realizes that the dog is his bedmate.
“You’ve ruined my life,” he growls at the beast. “You’ve ruined my furniture. You’ve ruined my clothes. My family likes you more than they like me. Why? All you do is drool and shed and eat.”
The next year he reprised the role in “Beethoven’s 2nd.” If he was frequently upstaged by the title character in these films, he took it in stride.
“I don’t complain when the editor chooses my worst take because it’s the dog’s best take,” he said when the sequel came out.
Charles Sidney Grodin was born on April 21, 1935, in Pittsburgh. His father, Ted, was a merchant who dealt in sewing notions, and his mother, Lena (Singer), was a homemaker.
He grew up in Pittsburgh, later describing himself as “a rough kid, always getting kicked out of class.” He often said that the 1951 movie “A Place in the Sun,” which starred Elizabeth Taylor and Montgomery Clift, caused him to shift his focus to acting.
“It was two things,” he told the Television Academy Foundation in an oral history. “One is I think I developed an overwhelming crush on Elizabeth Taylor. And two, Montgomery Clift made acting look like, ‘Gee, well that looks pretty easy — just a guy talking.’”
After six months at the University of Miami, he worked at the Pittsburgh Playhouse for a year and a half, then found his way to New York.
Mr. Grodin made guest appearances on “Shane,” “The Virginian,” and other 1960s TV series before landing his first significant film role, as an obstetrician, in the 1968 horror hit “Rosemary’s Baby.”
In 1976 he played an unlikable oilman in a remake of “King Kong,” with some reluctance.
“I wanted to play the love interest with Jessica Lange,” he said. “I didn’t want to be the guy responsible for the death of the most beloved animal outside of Bambi. But they wanted me for the bad guy.”
By popular demand, his character meets a gruesome end.
“The only thing they changed after the first screening, I was told, is when Kong got loose and tried to step on me and kill me and missed,” he said. “The audience was so disappointed that they had to recut it.”
Mr. Grodin showed a different side in the mid-1990s when he hosted “The Charles Grodin Show” on CNBC.
“They brought me in there to be a humorist,” he said in the oral history, “but pretty quickly I got caught up in social issues, and the show became just as much that, if not dominantly that. Some people like it better when you’re funny, and some people prefer that you’re taking cameras up to prisons and trying to help people who shouldn’t be in prison.”
Nicholas Grodin said his father had particularly been proud of his work for the Innocence Project, the prison justice organization, and his work for groups that help homeless people.
After his talk show ended in 1998, Mr. Grodin largely stepped away from show business for a dozen years. Then he began to take roles again, including a recurring one on “Louie,” the comedian Louis C.K.’s series.
Mr. Grodin wrote several memoirs full of anecdotes from his career, including “It Would Be So Nice if You Weren’t Here: My Journey Through Show Business” (1989) and “We’re Ready for You, Mr. Grodin: Behind the Scenes at Talk Shows, Movies and Elsewhere” (1994).
His first marriage, to Julie Ferguson, ended in divorce. In 1983 he married Elissa Durwood, who survives him, along with his son, who is from his second marriage; a daughter from his first marriage, the comedian Marion Grodin; and a granddaughter.
A 1985 anecdote Mr. Grodin related on Letterman’s show was typical of the breath of fresh, if offbeat, air he brought to those appearances. He told the host he had been gratified when, walking through the lobby on his way to the studio, the crowd that had lined up to get into the show burst into applause.
“I turned around to smile,” he said, “and they weren’t applauding me. There was a duck in a tuxedo walking by, and they were applauding the duck.
“But,” he added, “for the moment that I thought they were applauding me, it was a lovely, lovely moment.”
He offered no explanation for the presence of the duck.
Material from the Associated Press was used in this obituary.