Sue Miller’s narratives have a prismatic quality. In “Monogamy,” an absorbing and meticulously crafted page-turner, she’s interested in how love, loss, and the accretion of wisdom can shift those angles of vision.
With the pandemic eliminating school field trips, Chamber Theatre pivoted to film, restaging four short pieces — “Annabel Lee,” “The Tell-Tale Heart,” “The Raven,” and an audio version of “The Bells” — in the appropriately moody Gloucester venue.
The Globe’s top picks for staying entertained any day of the week.
The three-parter is based on a real-life “Who Wants to Be a Millionaire?” scandal from the early 2000s in England.
The actress says she felt "a huge amount of responsibility" to get her monologue right in the HBO film.
Writer-director Natalie Krinsky talks about the new romantic comedy and the role relationship residue plays in it.
New and notable titles for surviving another season without live performance.
In “The Sprawl: Reconsidering the Weird American Suburbs” Diamond examines how suburbia has shaped the country’s cultural landscape. He talks with Amy Sutherland about what he's reading now.
A roundup of upcoming literary events.
Author Caroline Leavitt returns to the medical mysteries she experienced 20 years ago.
The museum's "Open World" exhibition points to possibilities both aesthetic and poetic.
Rosa Rodriguez-Williams led Northeastern University’s Latinx Student Cultural Center for more than a decade.
Compelled by protests and the pandemic, Boston is rethinking the role of public artworks.
What began as an endeavor by Kerri Arsenault to piece together her family tree grew into a decade-long examination of pollution, poverty, and disease.
It has been wholly reimagined as a gorgeously visualized wide-screen action epic with no songs, a high-wattage Chinese cast, and a veneer of wuxia martial arts choreography.