John Tlumacki/Globe Staff
Eighth Blackbird, Dan Trueman, Iarla Ó Lionáird, Paul Muldoon Adventurous Chicago-based sextet Eighth Blackbird hitches up with American composer Dan Trueman for a contemporary Celtic cantata that spans two discs. Poet Paul Muldoon’s macaronic libretto draws on Irish myth and dances between the English and Irish languages with plenty of wordplay, and lissome-voiced sean nós singer Iarla Ó Lionáird (of supergroup The Gloaming) is a magnetic storyteller, guiding us through the gritty fable.
Danish String Quartet This smart young quartet has already shown its mettle in the classical standard repertoire and contemporary music. “Last Leaf” now finds them jumping into another stream of music: sprightly and bittersweet Scandinavian folk tunes, covering ground from the oldest known Nordic secular song to original compositions by the group’s cellist Fredrik Sjølin.
Adès: Asyla, Tevot, Polaris
London Symphony Orchestra; Thomas Adès, conductor Boston Symphony Orchestra artistic partner Thomas Adès conducts the London Symphony in his own macrocosmic orchestral works. The techno-inspired third movement of “Asyla” thumps and jitters with electrifying sublimity, and “Tevot” and “Polaris” sail through the stars, rocking and humming like generation ships.
Divine Theatre: Sacred Motets by Giaches de Wert
Stile Antico The conductorless British vocal ensemble has produced a translucent collection of sacred music by late Renaissance Franco-Flemish composer Giaches de Wert. The singers traverse the labyrinthine lines with fluid vitality and retain a sense of calm centeredness throughout.
Bach: Goldberg Variations
Beatrice Rana, piano In an interview with The Guardian, 24-year-old Italian pianist Beatrice Rana revealed that the first record she remembers listening to is Glenn Gould’s rendition of the Goldberg Variations, at age 8. Sixteen years later, her own take on Bach’s epochal variations teems with life and curiosity. Some variations seem to float and curl in the distance, others leaping out of the speakers. Gravitas interweaves with whimsy, exuberance with wisdom.
LOCAL ARTIST PICK
DAVID DEL TREDICI: CHILD ALICE
Boston Modern Orchestra Project; Gil Rose, conductor; Courtenay Budd, soprano
In March 2016, Boston Modern Orchestra Project and superhero soprano Courtenay Budd plunged down the rabbit hole into David del Tredici’s monumental two-hour fantasia “Child Alice,” presenting a one-night-only performance at Jordan Hall. The technical twists and excruciating demands of the work may preclude frequent live performances, but this recording on in-house label BMOP/sound is a masterpiece in its own right. The bubbling frenzy and acute desperation of the live performance telegraph exquisitely. Next stop, Wonderland.
A look at who got the nods for this year’s Academy Awards.Continue reading »
Chris Butler delivers a masterly performance in the title role of Shakespeare’s tragedy, directed by Bill Rauch with a focus on the toll of racism and sexism.Continue reading »
The architect Daniel Libeskind didn’t complete his first building until 1998 when he was 52.Continue reading »
“Behind the Mask,” “How Did I Get Here?,” “One Righteous Man,” and “As If !.”Continue reading »
James D. Watson and Francis Crick had a tumultuous partnership.Continue reading »
Animator Dean Kelly’s latest passion project draws on influences from Chelmsford to Oaxaca.Continue reading »
Lost Animal’s debut record skips around the edges of trip-hop, doo-wop, lounge, and, most intriguingly, calypso.Continue reading »
As fans of her novels know — and TV viewers will soon find out — the writer from Cape Cod is drawn to darkness.Continue reading »
A Hollywood Reporter story last month said the show, set in South Boston, was “a production plagued by allegations of abusive behavior and violations of industry rules.”Continue reading »