The Criterion Collection
Last Sunday, Bryan Fogel’s “Icarus” won the Oscar for best documentary feature (I would have preferred Agnès Varda’s “Faces Places,” but here’s hoping the renowned auteur might celebrate her 90th birthday with a win next year). “Icarus” joins an elite group that includes these outstanding winners, all worth revisiting.
“Desert Victory” (1943)
British documentarian Roy Boulting expertly edits together chaotic and spectacular combat footage (it is noted at the film’s beginning that four Army camera operators died shooting it), some of it captured from the Germans, with a detached and discerning voice-over narration that analyzes the Allied victory in the Battle of El Alamein during the North African campaign in World War II. There is little flag-waving and no demonizing of the Axis enemy, but rather a pragmatism that regards the defeat of fascism as a job that requires determination and a plan. Many shots of the desert, “a place fit only for war,” are otherworldly. In his review for the Nation James Agee declared it “a stunning textbook on how to make a non-fiction war film.”
Available on Amazon at https://www.amazon.com/Desert-Victory-Alamein-Harold-Alexander/dp/B001NH4CHQ.
“The War Game” (1965)
Peter Watkins applied his fictionalized documentary style to this harrowing look at the impact a nuclear exchange with the Soviet Union would have on the residents of Kent in Southeastern London. Combining low-key but devastating reenactments, the detached observations of a voice-over narrator (“In this car a family is burning alive”), sometimes absurd commentary from authorities ranging from clergymen to civil defense officials, and chilling title-card texts relating the facts on which he bases his speculation, he created a vision of annihilation so horrific that the BBC, which produced the film, refused to broadcast it. Fortunately, it received a theatrical release, qualifying it for an Oscar. More than 50 years later, its lessons have yet to be heeded.
Available on Amazon at http://amzn.to/2tk2rFL.
Most documentaries tend to be about war, disaster, tragedy, and injustice, so it’s a pleasant change when the subject is, in the words of Max Yasgur, “three days of fun and music and . . . nothing but fun and music.” Yasgur, of course, was the owner of the farm in the Catskills where half a million strong gathered in the summer of 1969 to hear a pantheon of rock musicians provide the soundtrack for a revel of drugs, dancing, mud, and transcendence. Directed by Michael Wadleigh with the assistance of Martin Scorsese, Thelma Schoonmaker, and others. You can get in argument with music buffs over who put in the best performance — Jimi Hendrix? Janis Joplin? Santana? The Who? — but I won’t start one.
Available on Amazon at http://amzn.to/2tovVSy.
“Harlan County, USA” (1976)
Coal was still king in West Virginia when Barbara Kopple made the first of her two Oscar-winning documentaries (the other was “American Dream” in 1990). The miners however, were mere serfs, and this in-depth, intimate account of their struggle to get a union contract from the corporate owners of a mine in the title county makes clear the conflict between the rich and those they exploit for profit. Immersing and electrifying, especially towards the end when Kopple demonstrates her courage and skill when confronting a pistol-packing company enforcer. With a rich soundtrack of regional music, including a performance of “Which Side Are You On?” by the composer and union stalwart, Florence Reece.
Available on DVD from Criterion ($31.96) at www.criterion.com/films/777-harlan-county-usa.
“The Fog of War: Eleven Lessons from the Life of Robert S. McNamara” (2003)
Good luck to anyone scrutinized by Cambridge documentarian Errol Morris. The most powerful people — in this case the former US secretary of defense who shaped the campaign to burn down Japanese cities in WWII before becoming an architect of the disastrous Vietnam War — end up spilling their secrets. Using his formidable “Interretron,” a device by which he can engage his subject face-to-face during interviews, Morris gets McNamara to explain the lessons he learned during his long and influential career and ultimately to confess his miscalculations and culpability when it came to the US Southeast Asia policy. These lessons are even more urgent now, but will the right people ever learn them?
Available on Amazon at http://amzn.to/2D56JQG.
How do we reconcile the work of a globally beloved pop superstar with the continuing allegations about his despicable private behavior?Continue reading »
There’s a continuum of carnage in Huma Bhabha’s artwork. It’s also exuberant, dynamic, and playfully alive.Continue reading »
The production, highlighted opening night by Misa Kuranaga’s Swanilda, is an absolute charmer.Continue reading »
Is there another artist on earth with the name-brand recognition of Frida Kahlo? In Boston and Brooklyn, N.Y., two exhibitions can’t hope to contain her — or the throngs she attracts.Continue reading »
A preview of three documentaries at this year’s festival.Continue reading »
It’s a cheery, neighborly, borderline bumpkiny way to signal interpersonal affirmation, so naturally it’s been co-opted by racist trolls.Continue reading »
Michael J. Bobbitt, the head of a Maryland children’s theater, will become the first African-American leader at the Watertown-based company.Continue reading »
Sleeping Weazel’s documentary play blends the stories of sexism, harrassment, and worse from dozens of women.Continue reading »
The singer’s new album, “There Will Be No Intermission,” is lengthy, full of her personal truth, and alternately inspiring and maddening.Continue reading »