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    Head over heels

    “Upside Down.”
    Millennium Entertainment
    “Upside Down.”

    It’s funny that the packaging for “Upside Down” (2013) trumpets how the movie is unlike anything we’ve seen. Other points of reference are precisely what come to mind — in a good way — watching writer-director Juan Solanas’s melancholy, agreeably gimmicky love story. Jim Sturgess and Kirsten Dunst are Adam and Eden, a guy and a girl living on twinned planets locked in a fantastical “double gravity” configuration, with mountain peaks and city skylines reaching for each other like cave formations. Physics works against the couple, and so do class issues: He’s from Down Below, the world of have-nots, and she’s from Up Above, where life is sunnier (at least until she turns amnesiac). Can these two soul mates find a way? It’s a movie that begs to be watched with other viewing that’s had fun turning the world on its head. Among the things that (hand)spring to mind: Joseph Gordon-Levitt’s rotating-corridor trick in “Inception,” Fred Astaire’s dance on the ceiling in “Royal Wedding,” and Lionel Richie’s big-’80s video homage. Pixar’s ladder-to-the-moon short, “La Luna.” The topsy-turvy cruise-disaster action of “The Poseidon Adventure.” Last summer’s “Total Recall” remake, whose few fresh touches included a gravity-flipping elevator tunneling clear through Earth. And how could we ever forget Dunst’s iconic smooch with another upside-down loverboy, Tobey Maguire, in “Spider-Man”? Extras: A featurette with Argentine-born, French-speaking Solanas and the cast offers glimpses behind the movie’s terrifically disorienting effects, and also at Solanas’s whimsical career-making short, “The Man Without a Head.” (Millennium, $22.98; Blu-ray, $34.99)



    And this year’s award for the project most thoroughly failing to deliver on its hilarious teaser posters goes
    to . . . Steve Carell, Jim Carrey, and the rest of the “Wonderstone” collection of Vegas-magician caricatures. Carell plays big-coiffed headliner Burt, who obnoxiously implodes his tired act with his stage partner (Steve Buscemi) at the worst possible time, as a Criss
    Angel-ic challenger (Carrey) is right there to grab the spotlight. The whole thing coasts pretty lazily on
    parodic glitz and magic tricks until a satisfying final stretch. Extras: On
    Blu-ray, cameo player David Copperfield breaks down one of Carell and Buscemi’s showstoppers. (Warner, $28.98; Blu-ray, $35.99)

    “Fat Albert and The Cosby Kids.”




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    Albert and the gang are back in a collection covering all 110 episodes of Bill Cosby’s groundbreaking, urban-set life lessons ’toon, from its initial four-season run to revivals in the late ’70s and mid-’80s. A new 40-minute retrospective, “Hey, Hey, Hey . . . It’s the Story of Fat Albert,” is both a reminder of the show’s intentions — yep, even Mushmouth was conceived with acceptance in mind — and a fun-facts parade. (Jazz trumpeter and mush-speak talent Johnny Coles was supposed to do voicework, but was “camera” shy.)
    Cosby recalls the show’s roots in his UMass EdD work, among other reminiscences. (Shout! Factory, $119.99)

    Tom Russo can be reached at