NEW YORK — The sunburst Fender Stratocaster that a young Bob Dylan played at the 1965 Newport Folk Festival when he famously went electric, perhaps the most historic instrument in rock ’n’ roll, is coming up for auction, where it could bring as much as half a million dollars.
Though now viewed as changing American music forever, Dylan’s three-song electric set at the Rhode Island festival that marked his move from acoustic folk to electric rock ’n’ roll was met by boos from folk purists in the crowd who viewed him as a traitor. He returned for an acoustic encore with ‘‘It’s All Over Now, Baby Blue.’’
Now the guitar is to be offered for sale Dec. 6, Christie’s said. Five lots of hand- and typewritten lyric fragments found inside the guitar case — early versions of some of Dylan’s legendary songs — also are being sold. The lyrics have a presale estimate ranging from $3,000 to $30,000.
With a classic sunburst finish and original flat-wound strings, the guitar has been in the possession of a New Jersey family for nearly 50 years. Dylan left it on a private plane piloted by the owner’s late father, Vic Quinto, who worked for Dylan’s manager.
His daughter, Dawn Peterson, of Morris County, N.J., has said her father asked the management company what to do with the guitar but nobody ever got back to him.
‘I was able to match the wood grain on the body of the guitar . . . Wood grains are like fingerprints, no two are exactly alike.’
Last year, she took it to the PBS show ‘‘History Detectives’’ to try to have it authenticated. The program enlisted the expertise of Andy Babiuk, a consultant to the Rock and Roll Hall of Fame and owner of an upstate New York vintage instrument shop, and Jeff Gold, a Dylan memorabilia expert. Both men, who appeared on the episode, unequivocally declared the artifacts belonged to Dylan.
Babiuk took the instrument apart and also compared it to close-up color photos of the guitar taken at the 1965 festival.
‘‘I was able to match the wood grain on the body of the guitar . . . and the unique grain of the rosewood fingerboard. Wood grains are like fingerprints, no two are exactly alike,’’ Babiuk said in an interview. ‘‘Based on the sum of the evidence, I was able to identify that this guitar was the one that Bob Dylan had played in Newport.’’
Dylan’s lawyer and his publicist did not respond to e-mail and phone requests for comment. Dylan and Peterson, who declined to be interviewed, recently settled a legal dispute over the items.
The terms of the settlement were not disclosed but allowed Peterson to sell the guitar and lyrics, according to Rolling Stone, which wrote in July about Peterson’s quest to authenticate the guitar.