You might have the urge to jump into the first painting in “Leidy Churchman: Lazy River” at the Boston University Art Gallery at the Stone Gallery. “Pool” lies on the floor just inside the entrance, a giant, shimmery abstraction in blues, greens, and blacks, nearly filling the gallery floor. It’s the clarion opening note in a gorgeously orchestrated exhibition.
Churchman uses color, language, a variety of styles, and video to remind us how painting corresponds to our bodies, and how it twines our bodies to our imaginations. Paint is like the messy stuff of an inner life, organized and expressed into something meaningful by the bodily action of painting.