NEW YORK — When Aden Young cracked open the script for ‘‘Rectify,’’ he thought, ‘‘Oh, here we go again: Another guy released from Death Row.’’
But he kept reading, and within a few pages ‘‘I realized this script had some sort of solid anchor. That anchor was Ray and his unique take on life.’’
Solidly anchored by creator-writer Ray McKinnon, this six-hour miniseries (whose first two hours air on the Sundance Channel on Monday at 9 p.m.
‘‘Just because he’s getting out doesn’t mean this thing is over,’’ Daniel Holden’s lawyer warns his family as they wait outside the prison walls for his return to them and the Southern hometown he no longer knows.
Holden is played with poignant spareness by Young, an Australian actor whose credits include ‘‘Killer Elite’’ with Robert De Niro and Clive Owen, the TV series ‘‘The Starter Wife,’’ and the upcoming film adaptation of graphic novel ‘‘I, Frankenstein,’’ in which he stars as Dr. Frankenstein.
‘‘Every now and then something comes along that speaks to your personal rhythm,’’ says Young by phone from Sydney. ‘‘I felt there was almost a necessity for me to play Daniel.’’
McKinnon felt a necessity of his own to write ‘‘Rectify.’’
An actor best known for his role as Reverend Smith in the HBO series ‘‘Deadwood’’ and as Lincoln Potter, a psycho lawman on the FX drama ‘‘Sons of Anarchy,’’ McKinnon is also a filmmaker who shared a 2001 Oscar for the short film ‘‘The Accountant,’’ which he produced and starred in alongside his actress wife, the late Lisa Blount, and longtime friend Walton Goggins (“Justified”).
The dynamics of family fascinate McKinnon as well as how the legal system can go terribly awry.
‘‘I kept thinking about society’s need for order, sometimes in lieu of justice,’’ he says. ‘‘If something heinous happens, we want to feel like we can find and root out the evil that caused it. But the pressure to do that can cloud our judgment.
‘‘One day, I just decided to write something about all that, and see if it would manifest.’’
Loss is the overriding theme of ‘‘Rectify.’’ Loss is felt everywhere: the town’s loss of fragile equilibrium upon Daniel’s disruptive return; the loss, still being felt painfully, of the murdered girl; the irrecoverable loss of decades in prison by Daniel.
‘‘But there was also the lightness of being that I wanted to present as a part of his experience,’’ says McKinnon.
With halting laughter, Daniel screens a comedy on a DVD player with his young half-brother Jared (Jake Austin Walker). He relishes a sunset on a drive out in the country with his devoted sister, Amantha (Abigail Spencer), then asks her, ‘‘We’re lost, aren’t we?’’ She replies with a rueful smile, ‘‘Totally.’’