For most people, a leaky kitchen pipe is a problem. For Susan Crowl of Brookline, it was the chance of a lifetime. Crowl loves to cook for family and friends but had never loved her kitchen. It was in good shape when she moved in, though, so she could never justify tearing it out. Fast-forward 17 years, and that pipe helped her realize she should seize the day. “It was my opportunity to enjoy the house before the kids are grown and gone,” she says.
A friend put her in touch with interior designer — and neighbor — Cecilia Casagrande, and the pair bonded instantly. Though trained as an architect and city planner, Crowl says she lacks a sensibility for color, an area of strength for Casagrande. Crowl says, “I took almost every suggestion Cecilia made, even if I thought, She wants me to do what?”
In the search for something spectacular, Crowl ruled out only one color: white. “I wanted my home to say, ‘I’m ready to have some fun!’ ” She was also intent on sticking to a budget. “We reused many pieces I collected over the past 30 years,” she says. “Cecilia helped me look at them with a fresh eye.”
Crowl wanted her new kitchen to be as beautiful and special as a dining room. Casagrande transformed the adjacent pantry/laundry room into a prep room that accommodates a second oven, microwave, coffee maker, and even the fridge. She repurposed the cabinets by retrofitting them with new clean-lined fronts, then rearranging them — a fun, puzzle-like exercise.
Farrow & Ball’s Hague Blue went on the walls and the ceiling, a fresh, modern treatment that adds richness and depth. The top of the new oversize island (a must-have for gatherings) is dramatic black-and-white soapstone that Casagrande likens to cookies and cream ice cream. Half a dozen brushed-brass Beat lights by Tom Dixon in a mix of shapes hang at varying heights. The gold-leaf glass tiles that line the front of the island are an unexpected finishing touch.
The glam mood carries over to the eating area. A gold-and-black Marset Discoco pendant glows over the banquette, which has cushions upholstered in a three-dimensional butterfly fabric designed by Christian Lacroix.
While the kitchen devoured much of the budget, the dining room, where family dinner happens every night by candlelight, took on a whole new look with just a few new pieces. The starting point was an antique daybed Crowl bought while studying in Denmark, which Casagrande upgraded with new cushions upholstered in painterly velvet.
On the ceiling, Casagrande used gold metallic paint as a thrifty substitute for wallcovering. The walls and woodwork are painted Farrow & Ball’s Oval Room Blue. Crowl feared the shade might seem fusty, but she deems it stunning against the gold. A brass chandelier from Jonathan Adler pulls the room together, and artwork from Crowl’s travels and friends completes it. As for the Ikea table, the homeowner says, “It functions just fine.”
To emphasize the sunlight that pours into the living room, Casagrande chose Farrow & Ball’s Peignoir, a color Crowl says shifts from pale purple to gray depending on the time of day.
Noticing how her client’s eyes lit up when they discussed the asymmetric Italian sofa she bought 25 years ago, Casagrande knew it was a keeper. Now reupholstered in two shades of gray velvet, it’s positioned to show off its lines. “I wanted to help preserve the beautiful things that represent the important moments in her life,” Casagrande says. “There’s so much heart and soul in that house.”
A pair of Eero Saarinen Womb chairs in traditional wool boucle are the room’s big splurge. A simple sofa covered in fun pillows rounds out the seating, and an inexpensive abstract-patterned rug adds a feminine touch.
“I always said ‘someday,’ ” says Crowl. “It was time.”
Marni Elyse Katz is a frequent contributor to the Boston Globe Magazine. Send comments to email@example.com. Follow us on Twitter@BostonGlobeMag.