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    Judith Appelbaum, a guide for would-be authors, dies at 78

    A photo provided by Sensible Solutions of Judith Appelbaum, who wrote the influential 1978 book “How to Get Happily Published: A Complete and Candid Guide.” Appelbaum, whose almost 60-year career in book publishing became a crusade to make the industry better — for writers, publishers and readers — died on July 25, 2018. She was 78. (Sensible Solutions via The New York Times) -- NO SALES; FOR EDITORIAL USE ONLY WITH OBITUARY SLUGGED OBIT APPELBAUM BY ANITA GATES OF JULY 30, 2018. ALL OTHER USE PROHIBITED. --
    Mrs. Appelbaum wrote “How to Get Happily Published: A Complete and Candid Guide.”

    NEW YORK — Judith Appelbaum, whose almost 60-year career in book publishing became a crusade to make the industry better — for writers, publishers, and readers — died July 25 at her home in Bedford, N.Y. She was 78.

    Alan Appelbaum, her husband of 57 years, said the cause was ovarian cancer.

    Mrs. Appelbaum held numerous jobs in the book publishing industry. During the early 1980s she was managing editor of Publishers Weekly and wrote the “Paperback Talk” column for The New York Times Book Review. But her best-remembered and most influential project may have been the 1978 book “How to Get Happily Published: A Complete and Candid Guide,” which she wrote with Nancy Evans.


    After Mrs. Appelbaum took over as the sole author, the book went on to be published in five editions and to sell more than a half-million copies. It led to the creation of Sensible Solutions, a consulting company for authors and publishers that she founded and ran with a partner, Florence Janovic, in Mount Kisco, N.Y., in Westchester County.

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    “It is largely within your power to determine whether a publisher will buy your work and whether the public will buy it once it’s released,” the first edition of “How to Get Happily Published” announced in Chapter 1.

    The book offered guidance on topics ranging from writing a proposal to selling subsidiary rights, as well as “fighting the fear of hustling” and, in a chapter that was decades ahead of its time, how to handle self-publishing, from design to distribution.

    Christopher Lehmann-Haupt, who reviewed the book for the Times, was skeptical about how helpful its overall message would be to painfully shy authors. But he acknowledged the value of some specific pieces of advice and concluded that for “the unhappily published writers” he knew, “at least it may clarify the true source of their misery.”

    Judith Ethel Pilpel was born in Manhattan on Sept. 26, 1939, the daughter of Robert Pilpel, an executive of humanitarian groups, including the American Jewish Joint Distribution Committee, and Harriet (Fleischl) Pilpel, a lawyer and women’s rights advocate.


    Judith graduated from Vassar College in 1960 and went to work for Harper’s Magazine, which was still a part of the book publishing company that is now HarperCollins. She had been a summer floater at the publishing house during her college years, typing names and addresses for various departments. By the early 1970s, she was writing general-interest magazine articles like “Sleep and Dreams: Where Are You When the Lights Go Out?” and “Fishing: What’s the Catch?”

    Her empathy for struggling writers and attachment to them may have begun when she worked on Harper’s Weekly, the company’s short-lived (1974-76) revival of a 19th-century publication. It called itself “America’s reader-written newspaper.”

    The industry itself came to be her favorite subject. She and Janovic were coauthors of “The Writer’s Workbook: A Full and Friendly Guide to Boosting Your Book’s Sales” (1980). For two decades, Mrs. Appelbaum edited The Independent, a monthly publication.

    Almost everything about the business changed during those years. “We Used to Call It Publishing” was the title of a 1999 article she wrote about new paths for intellectual property.

    But in an interview with Publishing Perspectives in 2014, she predicted continuing growth in book publishing, albeit with much of it under the radar because of an increasing number of small publishers. She did express some good-natured concern about people with no traditional publishing experience entering the field.


    “I see it as sort of a positive problem,” she insisted. “It’s messy and uncomfortable while people from different industries are trying to interact successfully, but I think on the whole it’s healthy ferment.”

    In addition to her husband, she is survived by a daughter, Lynn Appelbaum; a son, Alexander; a brother, Robert Pilpel; and two grandchildren.

    Mrs. Appelbaum’s favorite authors, she said in an interview with The Internet Writing Journal in 1998, were too many to count, but they included George Eliot, Anthony Trollope, Anne Tyler, and Julian Barnes.

    “I love to see writers expand our range of understanding, experience, knowledge, even happiness,” she said in that interview. “Publishing has always struck me as a way to change the world.”